Saturday, February 17, 2007

Steve Erquiaga-Cafe Paradiso



http://www.erquiaga.com/

Cafe Paradiso

1. Violin Sonata No. 1 In g
2. Sicilienne
3. Arioso
4. Morceaux De Fantaisie-Serenade
5. After A Dream-Apres Une Reve
6. The Well-Tempered Clavier-Prelude In C Minor
7. If Dreams Could Dance
8. Two Preludes: Prelude In e No.4-Prelude In c No.20
9. Themes From Cinema Paradiso First Youth-Love Theme For Nata
10. Under The Tuscan Sun
11. Pavane For A Dead Princess

Wednesday, February 14, 2007

Pat Metheny Group-We Live Here



















Editorial Reviews
Amazon.com
This 1994 recording marks one of the closest collaborations of guitarist Pat Metheny and keyboardist Lyle Mays with every composition co-composed by the two except Mays's "Episode d'Azur." It's a varied, engaging tapestry. Metheny's ever-shifting guitar sounds percolate and soar over the smooth backgrounds of Mays's piano and synthesized orchestrations, occasional background vocals by David Blamires and Mark Ledford, and a strong foundation provided by bassist Steve Rodby. The title song builds over a wall of rapid, insistent percussion from Paul Wertico and Luis Conte, while there's a brooding, luminous sweep that seethes, then explodes, in the 12-minute "To the End of the World." But it's Metheny's inventive guitar work that distinguishes this music, including the long, lyrical lines of the very pretty "And Then I Knew," the tunefully subdued funk of "The Girls Next Door," and the soaring, bubbling excitement of "Episode." --Adam Rains


track list

1. Here To Stay
2. And Then I Knew
3. The Girls Next Door
4. To The End Of The World
5. We Live Here
6. Episode D'Azur
7. Something To Remind You
8. Red Sky
9. Stranger In Town

Sunday, February 11, 2007

Jimi Hendrix-First Rays of the New Rising Sun




















Among my favorite Hendrix tunes, a mixture of his two [post mortem] Reprise releases "Cry of Love" and"Rainbow Bridge". Who knows how far along any of these tunes were in Hendrix' estimation at the time of his death, but, still his virtuosity is ever present...probably rattling off licks as fast as they could rewind the tape machines...to everyones joy ever since, thank God for Jimi1. Freedom

track list.

2. Izabella
3. Night Bird Flying
4. Angel
5. Room Full Of Mirrors
6. Dolly Dagger
7. Ezy Ryder
8. Drifting
9. Beginnings
10. Stepping Stone
11. My Friend
12. Straight Ahead
13. Hey Baby (New Rising Sun)
14. Earth Blues
15. Astro Man
16. In From The Storm
17. Belly Button Window

...gotta dig-it in the comments, please!

Friday, February 9, 2007

Anders Miolin Plays Claude Debussy


















....an ethereal rendering of an absolutly spacious and lilting piece of music played on what must be one of the most unusual and eclectic stringed instruments in the classical genre...down-right dreamy. You MUST enjoy this!

1. Prelude
2. Piece En Forme De Habanera
3. Alborada Del Gracioso
4. Pavane Pour Une Infante Defunte
5. I. Pavane De La Belle Au Bois Dormant
6. II. Petit Poucet
7. III. Laideronette, Imperatrice Des Pagodes
8. IV. Entretiens De La Belle Et La Bete
9. V. Le Jardin Feerique
10. Berceuse Sur Le Nom De Faure
11. Menuet Sur Le Nom De Haydn
12. I. Prelude
13. II. Forlane
14. III. Menuet
15. IV. Rigaudon
16. Gaspard De La Nuit: Le Gibet
17. Don Quichotte A Dulcinee: Chanson Romanesque

per soddisfazione vada alle osservazioni...comments please!


Thursday, February 8, 2007

Pat Metheny Group-The Way Up




















The Way Up represents, in the words of guitarist Pat Metheny himself, "our most ambitious undertaking ever as a group"-a single, brilliant 68-minute piece composed by Metheny and his collaborator of 28 years, Lyle Mays. Metheny has likened the creation of The Way Up to making a film, and in some respects, the album feels like a vividly rendered journey, its moods shifting like scenes glimpsed from a fast-moving vehicle.
Definitly, one of their more melodic offerings. With bassist Steve Rodby, Mexican drummer Antonio Sanchez, Vietnamese trumpeter Coung Vu, and the Swiss-born harmonica virtuoso Gregoire Maret, they never fail to exite and entrance http://www.patmethenygroup.com/

Musically, while arguably the broadest in reach of any Metheny Group record, it still exhibits all their signature characteristics: cinematic scope, evocative melodies, telepathic improvisational interplay and the broadest of sonics. Metheny, always one to use a wide array of guitars, outdoes himself this time with, quite possibly, more layered instruments than on any previous recording. From acoustic guitars to guitar synthesizer to warm electric tones, overdriven rock-inflections and even slide guitar, Metheny creates a virtual guitar orchestra; and yet, as thick as the layers become, every instrument has its place and nothing is superfluous. As always, Mays also layers a variety of keyboard textures, and this time around, in addition to acoustic and electric basses, Rodby adds celli to the sonic mix. The real question, after hearing the disk, is how they'll be able to recreate the rich audioscape of the piece in concert, even with the addition of multi-instrumentalist Nando Lauria to the touring band that hits the road in February of this year.-John Kelman,AllAboutJazz

Not only did the process resemble movie production, but the end result is possibly the group's most grand, cinematic effort to date. While the collaborators certainly deserve an enormous amount of credit for the remarkable work, Metheny is quick to share the praise with the other members of the sextet. The remaining veteran member of the group is bassist, Steve Rodby. With great admiration, Metheny describes, "On so many levels, Steve's presence is that of organizer. He helps not only from the playing standpoint, but his role in the production of the records is absolutely gigantic and so important to how it all comes together."Dean Truitt

....If you like, check-out the comments, enjoy!